1960s Africa Albania American modern art Armando Lulaj authorship Belgrade Capitalism collective project conceptual art contemporary art copy and original DebatikCenter of Contemporary Art fluid identities identity identity politics international exhibition Jonida Gashi local history photography Pleurad Xhafa postcolonialism public art Roma art Roma Pavilion Soviet Union Tirana transnational dialogues traveling exhibitions Venice Biennale Yugoslavia ZETA Gallery
Photo: Sean Wilkinson
John J. Curley is Associate Professor of Modern and Contemporary Art at Wake Forest University in Winston-Salem, NC. He has published widely on postwar American and European art, including a recent article in Art History on the connections between the paintings of Morris Louis and Cold War cultures of rationality. He is the author of A Conspiracy of Images: Andy Warhol, Gerhard Richter, and the Art of the Cold War (Yale University Press, 2013) and Global Art and the Cold War appeared (Laurence King, 2019). He is currently at work on a new book project provisionally titled “Critical Distance: Black American Artists in Europe 1958-1968.”