1960s Africa American modern art authorship Belgrade Capitalism conceptual art copy and original international exhibition photography postcolonialism Soviet Union transnational dialogues traveling exhibitions Venice Biennale Yugoslavia
The art scenes of the postwar United States and Eastern Europe have been rarely viewed within a shared framework. Rather, art history writing has captured the post-war decades in terms of an ultimate difference between artistic styles and cultural politics in the two opposing political blocs.
With a view to displacing Cold War-indebted narratives and superseding art history’s traditional center-periphery frameworks, the traveling seminars explore the relationship between American art and events, developments and debates within the art scenes of East, Central and Southeastern Europe during the Cold War and in the post-socialist period. Exploring various „subtexts” defining art making both in North America and Eastern Europe, Linking (Art) Worlds aims to shed new light on telling differences and tease out hitherto lesser acknowledged parallels, connections, or synchronicities between the U.S. and East European contexts.